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Melilla, the nineteen fifties. Faced with the decolonisation of Morocco, the Spanish inhabitants of the Protectorate are forced to return to the Iberian Peninsula. North African Hebrews hope to stop this exodus by installing themselves in the recently created state of Israel. In this context of uncertainty, a middle aged couple worry about their future and that of their two children.
Antoine de Saint-Exupéry's The Little Prince is a work whose rich message contains a series of signs and nuances, profound reflections that at times escape the simple reader.
The biggest box in the world isn’t just any old box. So Leonora, the cat in this story, can’t be without it. Leonaora isn’t just any old cat either. She collects cockroaches, balls of wool, feathers, and especially boxes. Coloured boxes of all different sizes.
The technological paradigm shift to which photography has been subject over the last few years has not only revealed the photographic nature of our culture, but has also shaken some of the foundations that appeared to be an unseparable part of the medium.
Thirty-five metres underground is Madrid's best kept secret, ninety tons of gold and other treasures of incalculable wealth, protected by extraordinary security measures (armoured doors, moat, unbreachable security system...) Nobody has ever tried to enter inside.
In these pages, there is love and a great deal of unbearable pain; there is death in life and destruction, but also justice and hope. Through this novel and its protagonists, Jaume Sanllorente offers the reader a impressive, poorly understood reality: human trafficking and the people who dedicate their lives to fighting it.
Nora is 24 years old, fearless and with hardly any past behind her, a great sense of humour but above all, an endless desire to enjoy all that life puts in front of her. A film student in oh-so-cool Barcelona, she is the object of desire of two very different men: Xavier, a sophisticated intern, and mysterious, sensual Matías.
In a lonely forest, two teenagers are brutally attacked by a supernatural being. In their statements, they both say that their assailant was a zombi. Inspector Laura Tébar takes on the case. She is a fifty-five, brilliant, solitary, and has a redoubtable character forged during a past filled with mistakes that can never be corrected.
Soledad, single and childless, has just reached sixty. But what might look like a normal life to many is to her a symptom of her difference, and she spends days and nights torturing herself about it. One night Soledad pays Adam, a 32 year-old gigolo, to go with her to the opera, hoping to make an ex-lover jealous.
A piece of paper blown away by a sandstorm ends up in the hands of Moussa. As soon as he finds it, the little boy thinks of his father, who lives abroad, and decides to send him a picture. Moussa decides it should be a picture of his village so that 'baaba' won't get so homesick.